Professor of English Literature and Head of School, School of English, University of Hong Kong
Julia teaches and researches in the area of nineteenth-century English literature and culture. Her special interests are in popular fiction and China-related travel writing, in the Victorian era and beyond. Julia was a Director of the Asian Literary Prize and is currently on the management team of the Arts Faculty, with responsibilities for Teaching and Learning.
CEO of Pixie B, an independent creative and media agency
Jo Lusby is the former North Asia Managing Director of Penguin Random House. A high-profile member of the regional business community, Jo is a non-executive director of the China-Britain Business Council, PEN Hong Kong and works as a guest lecturer at the Hong Kong Polytechnic University’s Innovation Centre. She also works with managers in multinational and international companies offering leadership development. A fluent Mandarin speaker, Jo has lived in Asia since 1995.
Managing Director of Financial Times, Asia Pacific
Angela leads the FT’s Asia Pacific commercial operations in Hong Kong where she has an extensive network of personal and professional contacts. She is a former senior correspondent for the FT and a keen supporter of the arts and literary events in Hong Kong.
Member of the Board of International Women’s Forum HK, Council member of Haw Par Music Foundation, Vice Chairman of Friends of Hong Kong Museum of Art
Bonny studied music in college and later qualified to practise law in England and Wales and Hong Kong. She was Head of Charities of Hong Kong Jockey Club Charities Trust and Secretary of the Board and Director of CEO’s Office of the West Kowloon Cultural District project. After her departure from West Kowloon in mid-2016, she has devoted her time to community service.
Director of Kelly International Corporation Limited, BA, Comparative Literature & International Relations, Brown University, USA; MA in Law, Cambridge University, UK.
Qualified as a barrister-at-law in the UK (1985) and Hong Kong (1986), Christine worked in litigation, corporate and commercial law in London, Hong Kong and Tokyo before relocating to Hong Kong in 1994.
Managing Director of Edelman Hong Kong
Adrian Warr leads the Edelman Hong Kong office. He is an integrated communications specialist whose work in some of the world’s best consultancies has given him experience in corporate communications, crisis, marketing communications, employee engagement, public affairs and digital marketing. Adrian is an Oxford graduate in modern languages and literature, with a BA and MA in French and Italian.
CEO & Owner, LUXE City Guides
LUXE City Guides CEO & Owner Simon Westcott was educated at Oxford. He was Co-Founder of Mr & Mrs Smith Asia Pacific and former global publisher and director of Lonely Planet group. He is recent Chairman of Australia’s premier contemporary theatre company, Malthouse Theatre and a past board member of contemporary dance company, Chunky Move and the Castlemaine State Festival. He has also sat on the board of advocacy group Get Up! and is an alumnus of the Williamson Community Leadership Program in Victoria. He is currently a founding member of the revived PEN Hong Kong Executive Committee.
Jennie Orchard is an experienced editor and publisher, with strong links to the non-profit world and to women’s organisations. She was formerly the inaugural Development Director for Room to Read Australasia, raising millions of dollars to fund literacy initiatives and promote gender equality through education for children in ten developing countries in Asia and Africa. She currently divides her time between Sydney and Hong Kong and continues to be involved in a range of non-profit commitments.
Founder, Museworks Limited
Joanna C. Lee is the founder of Museworks Limited, an international arts consultancy that has developed Asian media strategies for western symphony orchestras and helped facilitate large-scale arts festivals for New York’s Carnegie Hall, Amsterdam’s Royal Concertgebouw and the Kennedy Center and Smithsonian Institution in Washington D.C. She was a consulting producer for Dream of the Red Chamber for San Francisco Opera and a cultural advisor for David Henry Hwang’s bilingual Broadway comedy Chinglish and Kung Fu, a musical based on the life of Bruce Lee. As translator, she has developed surtitles for the Hong Kong Repertory Theatre and numerous numerous films. A public host and interpreter for the Hong Kong International Film Festival since 2004, she is the co-founder of Museworks Books, publisher of the Pocket Chinese Classics series and the annual Pocket Chinese Almanac.
Professor and Chair of Interdisciplinary Theatre and Creative Writing, School of English, The University of Hong Kong
At the University of Hong Kong, Page Richards writes and researches in poetry, life writing, and interdisciplinary theatre. She is the founder and director of the HKU Guild, the Global MFA at HKU, and the HKU Black Box. She is an author, a stage director, an editor, a producer, and life-long performer. Her work across research and practice has been recognised by the Mellon Foundation, the Salzburg Global Seminars, and the Vermont Studio Center for Poetry and Translation. She travels extensively and collaborates year-round with international partners.
Assistant Professor, Hong Kong Baptist University
James Shea is the author of two poetry collections, The Lost Novel and Star in the Eye. Star in the Eye was selected for the Fence Modern Poets Series and included in the Poetry Society of America’s New American Poets series. His poems have appeared in various anthologies including The New Census: An Anthology of Contemporary American Poetry and Isn’t It Romantic: 100 Love Poems by Younger American Poets. A former Fulbright Scholar in Hong Kong, he is currently an assistant professor in the Department of Humanities and Creative Writing at Hong Kong Baptist University.
Journalist and Author
Ken Smith has covered music and culture on five continents for a wide range of media. He currently divides his time between New York and Hong Kong, where he serves as the Asian performing arts critic for the Financial Times. A winner of the ASCAP/Deems Taylor Award for excellence in music writing, he is the author of Fate! Luck! Chance! Amy Tan, Stewart Wallace and the Making of “The Bonesetter’s Daughter” Opera. A regular arts commentator for RTHK Radio 4’s “Morning Call”, he has also served as an English-language editor for the Hong Kong International Film Festival. Two collections of his writings about music have been translated and published by Beijing Normal University Press. He is the co-founder of Museworks Books, publisher of the Pocket Chinese Classics series and the annual Pocket Chinese Almanac.
Author and Chancellor’s Professor of History, University of California, Irvine
Jeffrey Wasserstrom is the author of five books, including China in the 21st Century: What Everyone Needs to Know and Eight Juxtapositions: China through Imperfect Analogies from Mark Twain to Manchukuo. He has edited or co-edited several other books, including The Oxford Illustrated History of Modern China. He is a frequent contributor to newspapers (Financial Times, Wall Street Journal, New York Times, etc.), magazines (e.g., TIME ), and literary reviews (Times Literary Supplement, Asian Review of Books, and Los Angeles Review of Books, for which he serves as an advising editor). He is Chancellor’s Professor of History at the University of California at Irvine, where he also serves as Historical Writing Mentor for the Literary Journalism Program and holds a courtesy appointment in the Law School.
Kate Whitehead holds a BA in Literature (Warwick University) and a Masters in Literature (Sussex University). The author of two Hong Kong crime books – After Suzie and Hong Kong Murders – she was on staff at the Hong Kong Standard and the South China Morning Post and then as editor of Cathay Pacific’s inflight magazine Discovery. She is now a freelance journalist and over the last three years has written for many international media outlets, including Acumen, BBC Travel, CNN, Forbes, Publishing Perspectives, Time, Travel & Leisure and Women’s Wear Daily. She also writes for local publications, chiefly the SCMP.
Xu Xi is author of thirteen fiction and non-fiction titles, most recently Insignificance: Hong Kong Stories (2018) and Dear Hong Kong: An Elegy For A City (2017). Forthcoming is This Fish is Fowl: Essays of Being (2019). She is Faculty Co-Director of the International MFA in Creative Writing and Literary Translation at Vermont College of Fine Arts and co-founder of Authors at Large. An Indonesian-Chinese native of Hong Kong and long-time resident of the city, she now lives mostly in New York, when not inhabiting flight paths.